Extranet login. However, little detail is known with certainty about his private life, and no mention of his sexuality has been found in the Florentine archives in terms of denunciations  albeit which during this period are incomplete. Filippo Bernardo Antonio Giuliano Zanobi. Cuisines: AmericanFast foodBarbecue. It is certain that Cosimo de' Medicithe foremost art patron of his era, commissioned from Donatello the bronze David now in the Bargello for the court of his Palazzo Medici. Fiore gay giovanni italy san your ifaly Keep itwly lists forever.
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Born in Florence , he studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.
Donatello was educated in the house of the Martelli family. While undertaking study and excavations with Filippo Brunelleschi in Rome — , work that gained the two men the reputation of treasure seekers, Donatello made a living by working at goldsmiths' shops. Brunelleschi's buildings and Donatello's sculptures are both considered supreme expressions of the spirit of this era in architecture and sculpture, and they exercised a potent influence upon the artists of the age. In Florence, Donatello assisted Lorenzo Ghiberti with the statues of prophets for the north door of the Baptistery of Florence Cathedral , for which he received payment in November and early This work marks a decisive step forward from late Gothic Mannerism in the search for naturalism and the rendering of human feelings.
In —, Donatello worked on a statue of St. Mark for the guild church of Orsanmichele. In he completed the Saint George for the Confraternity of the Cuirass-makers. The elegant St. George and the Dragon relief on the statue's base, executed in schiacciato a very low bas-relief is one of the first examples of central-point perspective in sculpture.
Donatello had also sculpted the classical frame for this work, which remains, while the statue was moved in and replaced by the Incredulity of Saint Thomas by Verrocchio.
Between and , Donatello created five statues for the campanile of Santa Maria del Fiore in Florence, also known as the Duomo. These works are the Beardless Prophet ; Bearded Prophet both from ; the Sacrifice of Isaac ; Habbakuk —25 ; and Jeremiah —26 ; which follow the classical models for orators and are characterized by strong portrait details.
From the late teens is the Pazzi Madonna relief in Berlin. In , he executed the notable Crucifix for Santa Croce ; this work portrays Christ in a moment of the agony, eyes and mouth partially opened, the body contracted in an ungraceful posture.
Donatello made the recumbent bronze figure of the deceased, under a shell. The relief is mostly in stiacciato , with the foreground figures are done in bas-relief. The dating of the statue [ clarification needed ] is not settled, though recent scholarship has indicated it was made around It is certain that Cosimo de' Medici , the foremost art patron of his era, commissioned from Donatello the bronze David now in the Bargello for the court of his Palazzo Medici.
This is now Donatello's most famous work, and the first known free-standing nude statue produced since antiquity. Conceived fully in the round, independent of any architectural surroundings, and largely representing an allegory of the civic virtues triumphing over brutality and irrationality, it is arguably the first major work of Renaissance sculpture.
Also from this period is the disquietingly small Love-Atys , housed in the Bargello. Some have perceived the David as having homo-erotic qualities, and have argued that this reflected the artist's own orientation.
However, little detail is known with certainty about his private life, and no mention of his sexuality has been found in the Florentine archives in terms of denunciations  albeit which during this period are incomplete.
When Cosimo was exiled from Florence, Donatello went to Rome, remaining until Peter's Basilica , bear a strong stamp of classical influence. Donatello's return to Florence almost coincided with Cosimo's. In May , he signed a contract for the marble pulpit on the facade of Prato cathedral , the last project executed in collaboration with Michelozzo.
This work, a passionate, pagan, rhythmically conceived bacchanalian dance of half-nude putti, was the forerunner of the great Cantoria , or singing tribune, at the Duomo in Florence on which Donatello worked intermittently from to and was inspired by ancient sarcophagi and Byzantine ivory chests.
In , he executed the Annunciation for the Cavalcanti altar in Santa Croce, inspired by 14th-century iconography, and in —, he worked in the Old Sacristy of the San Lorenzo in Florence, on two doors and lunettes portraying saints, as well as eight stucco tondoes.
From is the wooden statue of St. Around , he executed a bust of a Young Man with a Cameo now in the Bargello, the first example of a lay bust portrait since the classical era. In , Donatello was called to Padua by the heirs of the famous condottiero Erasmo da Narni better known as the Gattamelata , or "Honey-Cat" , who had died that year.
Completed in and placed in the square facing the Basilica of St. Anthony , his Equestrian Monument of Gattamelata was the first example of such a monument since ancient times. Other equestrian statues, from the 14th century, had not been executed in bronze and had been placed over tombs rather than erected independently, in a public place.
This work became the prototype for other equestrian monuments executed in Italy and Europe in the following centuries. For the Basilica of St. Anthony, Donatello created, most famously, the bronze Crucifix of —47 and additional statues for the choir, including a Madonna with Child and six saints, constituting a Holy Conversation , which is no longer visible since the renovation by Camillo Boito in The Madonna with Child portrays the Child being displayed to the faithful, on a throne flanked by two sphinxes , allegorical figures of knowledge.
On the throne's back is a relief of Adam and Eve. During this period——50—Donatello also executed four extremely important reliefs with scenes from the life of St. Anthony for the high altar. Bust of Niccolo da Uzzano by Donatello. Magdalene Penitent c. Donatello in the Teenage Mutant Ninja Turtles is named after him. The others were named Leonardo and Raffaello. Cambridge University Press. From Wikipedia, the free encyclopedia.
This article is about the artist. For other references to Donatello, see Donatello disambiguation. Republic of Florence. This section is empty. You can help by adding to it. August Longman Pronunciation Dictionary 3rd ed.
Pearson Longman. Giorgio Vasari: Art and History. The Feud That Sparked the Renaissance. Internet Movie Database. Retrieved 24 December Avery, Charles, Donatello. Catalogo completo delle opere , Firenze Grove Art Online.
Oxford Art Online. Oxford University Press. Coonin, A. Hartt, Frederick and Wilkins, David G. Janson, Horst W. Olson, Roberta J. Yale University Press, Bettarini e P.
Barocchi, Firenze, Wilson, Carolyn C. David —09, c. House of Medici. Alessandro "The Moor" Cosimo I. Caterina Maria. Filippo Bernardo Antonio Giuliano Zanobi. Genealogical tables of the House of Medici.
George , David , Equestrian Monument of Gattamelata. Wikimedia Commons has media related to Donatello.