Japan behind curtain erotic show-Lemon Hanazawa - Wikipedia

PinkVisitor is a guide to the pink side of Japan including the Japanese sex industry, love hotels, pink salons, pink movies and previously licensed entertainment areas such as Yoshiwara and Tobita. Office worker Kenji plans to meet his girlfriend Chika during lunch time. Today, he would not down some quick fast food at the cheap chain outlet close to his office. Today, he plans to take Chika out for a real meal at a real restaurant and then, they will head straight for a Love Hotel. Kenji will have to work serious overtime later in the week but after responding with a few suggestive smirks, his boss gave him permission to leave the office for the afternoon tryst.

Japan behind curtain erotic show

Japan behind curtain erotic show

Japan behind curtain erotic show

Japan behind curtain erotic show

Read latest edition. Fantastic book. Join the discussion. So, the two lovers meet up at the train station exit and after their lunch they head into a nearby love hotel area. Sign the petition.

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Remon Hanazawa , is a Japanese pink film actress who has also performed in adult videos AV.

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PinkVisitor is a guide to the pink side of Japan including the Japanese sex industry, love hotels, pink salons, pink movies and previously licensed entertainment areas such as Yoshiwara and Tobita. Office worker Kenji plans to meet his girlfriend Chika during lunch time. Today, he would not down some quick fast food at the cheap chain outlet close to his office. Today, he plans to take Chika out for a real meal at a real restaurant and then, they will head straight for a Love Hotel.

Kenji will have to work serious overtime later in the week but after responding with a few suggestive smirks, his boss gave him permission to leave the office for the afternoon tryst. Neither place is even remotely viable for a romantic time together. So, the two lovers meet up at the train station exit and after their lunch they head into a nearby love hotel area.

Strolling down the alleys, they look at the images of the rooms offered, they calculate the prices. Hihokan these places are not traditional museums as you may have guessed.

They are generally bawdy, fun places often situated in hot-spring resorts where people come to have a giggle or two at some enlarged male appendage or a particularly inventive position. AV stands for Adult Video, i. AV is a huge business in Japan, with about companies producing more than 30 new titles, both legal and illegal, each day!!!

AV is easily available in Japan, and there are even vending machines for them on the street, although as a nod to the protection of minors the display is covered with a photo-sensitive material so it is blacked out during the daylight hours. Recently Japanese AV actresses have become stars in other Asian countries especially Indonesia with the brighest star being Maria Ozawa better known as Miyabi.

In contemporary Japanese society nudity occupies a similar position as to that in Western societies, that is to say, the naked human body is considered sexual with the often attendant emotions of embarrassment and shame. For instance there are absolutely no nudist or topless beaches in Japan, as are common in much of Europe and the U. On the other hand, nudity among same-sex groups as in public bathing and at onsens hot spring resorts elicits far less uncomfortableness for the Japanese than for many Americans and British for example, and within the Japanese family nudity is far more commonplace.

Thus attitudes to nudity in Japan are far more subtle and nuanced than in the more conservative, traditionally Christian West. Osaka is not just on the cutting edge of the sex industry; it is the cutting edge.

Anything that becomes a nationwide trend in Japan probably started in the brothels and soaplands and bee jay factories of Namba or Umeda or Kyobashi. The look is part goth, part fluffy lace, all cute.

Just like mother or older sister would have it — a firm hand boys, enjoy. For those who can read Japanese, there is another window into this slightly hidden but nearly omnipresent world: pink salon guides, published as monthly magazines on sale in convenience stores and book shops throughout Japan. The DX theater is dedicated to the fine art of the strip tease. Join us for an evening of staring at bare naked flesh in a less than salubrious Kyoto locale frequented by everyone from university professors to local politicians.

Read an interview with Joan Sinclair, author and photographer of Pink Box. In Japan the archetypes for sex clubs come from manga; the aesthetics are similar to manga, the heroes reflect adult manga. These kinds of clubs in a way adhere to cultural norms, but they are more a sanctioned playground where men can be boys, can break the rules while still sticking within the norms and strictures of Japanese society. It is a hard-working and tightly wound society paired with a manga-driven sexuality.

Combine these elements with loose law enforcement and the result is a very wild and robust sex industry. In any city in Japan, hundreds if not thousands of hostess bars are open for business every night of the week, all year round. Like the experience to be had with the more exotic Geisha, the sex is implied but almost never offered at a hostess bar.

Another similarity is the scripted feel of the experience, as the paying gentleman is pampered, flattered, charged and then sent on his way.

Sooner or later visitors or residents of Japan will stumble over that particularly Japanese sex film genre called pinku eiga. Pink movies are soft core productions generally shot on 35mm celluloid and made for pink theater screenings. The films do, however tell actual stories; and many of the directors active in the genre crossed over to mainstream cinema.

As you would expect from a work on sex movies, Pink Curtain features a generous amount of film stills, depicting plenty of the hotter moments in the respective flicks. In the U. In Japan, however, you can still find old-style pink film theaters, running real celluloid in classic 35mm format. Though not as numerous as they once were in their heyday of the anything-goes s and 80s, there are about pink theaters still in operation in Japan today.

The location soon became known as the Porno Building, with sex movies endlessly grinding away on all floors. Shunga wood block prints presented the real and the artistically imagined sex life of Edo Period Japan. Shunga were produced by the same artists who also worked in other fields of ukiyo-e. Some of the most famous shunga were drawn for example by Hokusai when he took a break from studying Mount Fuji from all angles.

On the other hand, no artists are known today who produced exclusively shunga. Shunga were not the work of specialized pornographers. Sex was considered a natural part of life in Edo Japan and the production of erotic images reflected this point of view. Yoshiwara, located in what is now Senzoku 4-chome in Taito-ku in north eastern Tokyo, is what remains of the famous Edo Period pleasure quarter or yukaku. Nowadays, Yoshiwara is still in the business of offering sexual services at over soaplands in the district.

Prostitution was not officially made illegal in Japan until and the old ways of Yoshiwara came to an end. Some establishments welcome foreign clients, though by no means all. The Tobita Shichi red light district in Osaka still works very much in the same way as the old Edo Period Yoshiwara entertainment area in Tokyo did. Here, the sex businesses still openly display their working girls to casually strolling, potential customers.

Tobita Shinj is the biggest red light district in western Japan and is located about a seven minute walk from the Dobutsuenmae subway station on the Midosuji subway line. Delivery Health, or deriheru in Japanese shorthand, translates to sex delivery service or, in more polite words, escort service. This is how it works: trawl the net or leaf through the back pages of Japanese porn magazines and look out for advertisements by Delivery Health agencies.

Not all of them are agencies but there are quite a few in the opening pages. Accordingly, the services also leave almost nothing to be desired. With one big exception: full intercourse. No legal agency will offer it.

The prostitution laws are very strict in that regard. The Kanamara Matsuri at Kanayama Shrine in Kawasaki city, just south of Tokyo, displays a direct and honest approach to celebrating human sexuality.

No symbolic eggs and bunnies here but the real thing. The center of attention at the festival is the human phallus — plain and simple. Local ladies of the night prayed at the shrine to the steel penis in the hope of keeping venereal diseases at bay. At that time, suddenly, some previously Japanese-only establishments felt compelled to open their services to foreigners as well — and the author was all too happy to explore as many of them as he could.

Nudity : A Quick Peek at Nudity and Nakedness in Japan In contemporary Japanese society nudity occupies a similar position as to that in Western societies, that is to say, the naked human body is considered sexual with the often attendant emotions of embarrassment and shame.

Similar, but with some differences though. Handmaiden Pink Salon : Osaka Osaka is not just on the cutting edge of the sex industry; it is the cutting edge. Behind The Pink Curtain Sooner or later visitors or residents of Japan will stumble over that particularly Japanese sex film genre called pinku eiga. Pink Theaters In the U. Shunga Shunga wood block prints presented the real and the artistically imagined sex life of Edo Period Japan. Yoshiwara Yoshiwara, located in what is now Senzoku 4-chome in Taito-ku in north eastern Tokyo, is what remains of the famous Edo Period pleasure quarter or yukaku.

Delivery Health Delivery Health, or deriheru in Japanese shorthand, translates to sex delivery service or, in more polite words, escort service. Kanamara Matsuri The Kanamara Matsuri at Kanayama Shrine in Kawasaki city, just south of Tokyo, displays a direct and honest approach to celebrating human sexuality. Guide Books on Japan Products from Amazon.

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Japan behind curtain erotic show

Japan behind curtain erotic show

Japan behind curtain erotic show

Japan behind curtain erotic show

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The British Museum's new exhibition may be hardcore, but it's the humour and humanity that really thrills, says Adrian Hamilton. Can hardcore pornography ever be considered art?

Not in the West, where the definition of high versus low art has long banished graphic depictions of sex to the realms of dirty men in mackintoshes and decadent connoisseurs of the perverse.

Click here or on 'view gallery' to see more images of Japanese erotica. In Asia, it's been a quite different matter — as Westerners have sometimes been overexcited in proclaiming. There the sexual act was traditionally regarded as an open and normal activity, to be portrayed in pictures and books as much as medical almanacs and self-help guides. Nowhere was this more so than in Japan, where a genre of explicit depictions of sexual congress termed Shunga flourished first in painted scrolls and then in woodblock reproduction from around until it was taken over by the photograph and Western moral disapproval by the end of the 19th century.

It was anything but under the counter. Many — most in fact — of the finest artists of the day produced it in volume and as many of some 2, books, around a dozen a year, were produced in its heyday. Other countries may have produced as explicit an imagery, but none on this scale or at this level of artistic refinement.

It's time to give Shunga its due. Which is what the British Museum is doing with a major exhibition opening this week alongside a smaller show of the softer side of Japanese erotic art at the Fitzwilliam Museum, in Cambridge.

The British Museum show is the most comprehensive ever mounted of this genre, the product of four years of research and including works, over half borrowed from other institutions around the world.

Children are permitted to go in, with parental guidance those under 15 have to be accompanied by an adult at the British Museum. And the vertical display cabinets allow the viewer to get close up and very personal to the detailed and often exaggeratedly large representations of female and male genitalia set before their gaze.

The oddity to the Western eye, once you have got over the shock of such explicit sex, is that very few of the couples — some homosexual — are pictured fully naked. Where the nude in Western art is a discreet way of hinting at sex, the semi-clothed in Japanese art is a very direct way of portraying it. That may owe something to the fact that nudity has never been regarded as erotic per se in Japan but also to the desire of artists, especially once the woodblock came into play, to show their skill in portraying textures and fabrics.

What was suggestive was the sight of the red undergarment worn by women, or the outline of a half naked women seen through a gauze curtain or the picture of the abalone divers still wet in their undergarments.

The Fitzwilliam has several examples of these erotic pictures, abuna-e as they were called. When it comes to Shunga, in contrast, the pictures are too direct to be suggestive, what they communicate is not the hint of pleasure but the excitement and the ecstasy of the act itself as the couples writhe amidst their opened garments and the sense of fulfilment afterwards.

Being Japanese, much of the back story is told in the detail — the rolls of tissue which the man or women may hold as they prepare for copulation or the discarded paper which indicates the aftermath; the belt folded in the front to indicate a courtesan and the head shaved on top to mark a mature male, the luxury of the kimono to determine wealth, the fall of a lock of hair to suggest recent activity.

The other striking feature of these pictures is how consensual the sex is. The women are shown enjoying it as much as the men, often more, as they twine their legs around the man's back and tug hard at his head with their hands.

Although dildos appear and foreplay is pursued with abandon, there are very few pictures of rape or violence, although there is one powerful one in Hokusai's Young Pine Saplings while some of the same sex scenes have a disquieting sense of an older man exploiting flaccid young boys for their pleasure.

It was the communication of the ecstasy, however fanciful, of heterosexual coupling which the artists mostly wanted to achieve, however. And very good artists they were. Utamaro, whose prints of famous courtesans were regarded as the very models of sober beauty by 19th-century Western collectors, in fact produced more Shunga books and albums than non-erotic works.

The British Museum has the best of them, including the Poem of the Pillow which made him famous at the time. Little is spared in the detail, or the variety of positions, but there is nothing crude in his fluid lines and his confident compositions, setting flesh against fabric and entwining the bodies in rhythmic motion. Finally he fell victim to one of the government's periodic fits of censorship, and was arrested and imprisoned not so much for the frankness of his pictures as that, in naming courtesans and signing his works, he seemed to challenge the social hierarchy.

The Tokugawa government never approved the art but never totally suppressed it, although a ban on publication of salacious material did drive artists and publishers to remove their name from their works. Most of the works on display are by the so-called ukiyo-e artists such as Utamaro, masters of the "floating world" of the pleasure quarters of Edo and Osaka. The great Hokusai is here with his celebrated picture of a lady being pleasured by an octopus, his tentacles titivating and enwrapping her.

Eisho, Eisen, Kuniyoshi and Kunisada were all prolific, and proficient practitioners in the genre and the Fitzwilliam has some particularly fine examples by Katsukawa Shunsho from a period, towards the end of the 18th century, when artists deliberately restricted their palette in the interests of graphic force.

The only big name missing is Hiroshige, who specialised in landscape with little interest in figurative art. Although the cultural milieu of these works clearly derived from the pleasure quarters and the world of entertainment of the Edo of the period, Shunga was not primarily associated with prostitution and the brothel.

By far the greater proportion depicted middle class couples, married or otherwise, and their stories — given in the accompanying text and speech exclamations are about sex and its practice — "You're coming too fast," says the lady in one picture, "you're being too slow," says another.

There is an element of male fantasy about this, the hope that a woman should prove as eager as himself. You can't completely remove the sense that the women are often there to satisfy the man or that many of these prints "objectify" woman. On the other hand women were clearly purchasers of the product. The books were largely borrowed from libraries, a transaction mostly in the hands of the woman of the household and, from the numbers of explicit publications expressly elaborating on the romantic novels that were so popular in the late 18th and early 19th centuries, they were clearly aimed at a female market who would understand the references.

What comes through most from these works is the humour and humanity of them. That and their artistic quality. The craft of the woodblock produced some of the finest graphic work anywhere in the world, as the impressionists readily acknowledged. Look closely at these prints and you will see a precision in the line and a care in the way that the inks are applied that is simply astonishing. Once photography came in and the West forced open Japan, the works were consigned to the cupboard as obscene and obsolete, part of the old world that the Japanese rulers wished to put behind them.

The camera made pornography realistic and hence voyeuristic. Shunga was never that. It celebrated man's most natural activity with some of the most explicit and brilliant pictures of pleasure ever produced. You can find our Community Guidelines in full here.

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Japan behind curtain erotic show